Market to Adults (Not Families) to Maximize Attendance to Cultural Organizations (DATA)

Marketing to adults increases visitation even if much of your current visitation comes from people visiting with children. Here’s Read more

Why Those With Reported Interest Do Not Visit Cultural Organizations (DATA)

Data suggest that a sizable number of people report interest in visiting cultural organizations…and yet over thirty percent of those Read more

MoMA Sees Reputation Boost After Displaying Muslim Artists (DATA)

Here’s what market research reveals about MoMA’s decision to display artwork from artists hailing from the Muslim-majority nations affected Read more

Five Videos That Will Make You Proud To Work With A Cultural Organization

Let’s pause and celebrate the hard and important work of working with cultural organizations. Talk of defunding the National Endowment Read more

Data Reveals The Worst Thing About Visiting Cultural Organizations

The primary dissatisfier among visitors to both exhibit AND performance-based cultural organizations is something we can fix. What is the Read more

People, Planet, Profit: Checks and Balances for Cultural Organizations

It’s a time of change and evaluation for cultural organizations – and that’s a good thing. The societal current Read more

Community Engagement

What Museums Can Learn From Online Dating (Hint: Touch Really Matters) (VIDEO)

*Accessing this post via email and having problems viewing the video? You can watch it here

Is social media hurting the onsite visitor experience? Data suggest that in today’s world, museums need to be masters of both offsite communication (social/earned media) and onsite, face-to-face communication in order to be successful. Increasingly, a museum’s business strategy cannot thrive without one or the other.

Here’s a handy (pun intended) concept that I recently presented for thinking about the relationship that “digital touch” and “physical touch” play in driving museum visitation and maximizing visitor satisfaction.

Westmusings

I was honored to have had the opportunity to take part in the Western Museum Association’s first-ever WestMusings: Ten Minute Museum Talks in October in Salt Lake City.  What Museums Can Learn From Online Dating briefly traces a museum visitor from the visitation decision-making process through a museum visit and demonstrates how “digital touch” and “physical touch” work together to “seal the deal” of getting folks in the door to experience sparks of informal learning.

Here are those slides about reputation up close (what motivates the visitation decision and the diffusion of messaging).

While I spoke about museums in connection to online dating, I had the opportunity to take part in the WestMusings initiative with three, fabulous museos who imparted their own wisdom regarding museums and their connection to similarly creative topics: Scott Stulen of the Walker Art Center spoke about cat videos, James Pepper Henry of the Heard Museum spoke about culture clashes, and Carrie Snow of the Church History Museum spoke about roller derby (in full roller derby attire, no less)! Intrigued? Check out their WestMusings here.

 

Interested in getting blog posts, tips, and some silly social media geekery periodically delivered in your Facebook newsfeed? Like my Facebook page. Or for more regular sharing of nonprofit marketing information, follow me on Twitter!

 

Posted on by Colleen Dilenschneider in Community Engagement, Digital Connectivity, Financial Solvency, IMPACTS Data, Myth Busting, Nonprofit Marketing, Sector Evolution, Trends 2 Comments

Leisure Activity Motivation: How People Decide to Attend Your Museum or Visitor Serving Organization (DATA)

MET museum

When it comes to motivating attendance, data suggest that offerings outside of your visitor-serving organization’s walls often play a greater role than what is inside.

Wondering why you’re not getting more people through the door of your museum or performing arts event? It could be due to many factors – both internal and external. Often, visitor-serving organizations (VSOs) get wrapped up in their own content and confuse the role that these offerings play in motivating visitation. Namely, they think that their own content or visitor experience plays the primary motivational role. However, data indicate that an organization’s own, internal offerings generally matter less to visitors than does the market’s perceptions of the surrounding macro-environment when it comes to motivating leisure visitation.

The chart below (featuring data collected by IMPACTS) illustrates findings related to leisure activity motivation. In other words, it demonstrates the primary motivators that determine how the market decides what to do with its leisure time. (The x-axis demonstrates the percent of respondents identifying that aspect/activity as a primary motivator. Respondents with multiple primary motivators are also represented.)

IMPACTS leisure activity motivation

This data features several, key takeaways for visitor-serving organizations:

 

1) “Critical mass” plays an important role in motivating leisure activity

“Yeah, yeah – VSOs in bigger cities have more people around and thus usually get more people to come through the door,” you’re probably thinking…but there’s more at play here than one might initially think. Major metro markets contain a density of attributes and experiences such as the ones indicated on this list. However, data suggest that in terms of motivating leisure activities, some markets have stronger, “standalone” motivators than others and merely being a major metro market can be a less enticing draw than possessing a mix of other attributes. A certain way to ensure that your organization is being considered as a viable destination is to be surrounded by a core, critical mass of other leisure opportunities. Consider the Monterey Bay Aquarium (to mention a frequent example for me): Monterey itself is not a major metro market, but the aquarium’s proximity to the waterfront, unique dining, golfing, and other specific opportunities create a density of experience that makes the location a viable leisure destination. In other words, the combination of these attributes – coupled with the appeal of the aquarium – are enough to motivate people to travel 2.5 hours from a major metro market (San Francisco) to visit the aquarium.

 

2) More than ninety percent of people need external motivators in order to attend your museum or performing arts event

Visitor-serving organizations may overestimate the motivational qualities or singularity of their own offerings in driving activity motivation. The modest influence that visiting a museum (9.9%), a zoo, aquarium, or science center (8.9%), or a performing arts event (4.2%) has on the leisure decision-making process is relatively low when compared to the influence of other visitor experiences or destination attributes. This means that more than 90% of people need additional, external motivators to enter your marketplace. A museum could put a visit to a destination over the top, but it’s generally not a primary motivator. This makes sense when contemplating the opportunity trade-offs attendant to leisure decisions: Visiting Aunt Janet sounds great – but if you could visit a major metro with unique shopping near the water – and visit a museum – you might make a different decision (and maybe even bring Aunt Janet)!

 

3) Who people are with still often beats what they are doing

The highest primary motivator of leisure activity is visiting friends or family (70.4%). This mirrors other data supporting the finding that who visitors are with often means more than what visitors see when they go to a museum or other type of visitor-serving organization. This is worth extra attention, as the greatest motivator according to the market is not tied specifically to a physical aspect or feature of a destination, but rather the draw of being with loved ones.

 

4) What is good for your city in terms of increasing critical mass is also good for your organization

This is the essence of the “rising tide lifts all ships” theory of visitor engagement. Organizations that see other activities or experiences as competition for their potential audience’s time may be missing the mark. It may go without saying, but communicating the availability of unique shopping and dining, celebrating historic assets within your community, and highlighting hiking, swimming, golfing, or other activities that take place outside your walls also helps you better engage your own visitors.

Occasionally, museums and other visitor-serving organizations want to “silo” their organization as a more influential, standalone experience – a perspective that may be incongruent with the way that the market contemplates its leisure investments. Organizations should be careful to not forget that before a visitor can engage with your content they must first choose to visit your destination. Your visitors’ experience is often connected to the other experiences around you that make up their day. Promoting the robustness and vitality of neighboring organizations and the macro community is increasingly a wise strategy to maximize visitor engagement.

 

Quick note: I am pleased to be bouncing into Salt Lake City on October 12th to deliver a WestMusing: 10 Minute Museum Talk at the Western Museums Association Annual Meeting closing ceremony before hopping on the plane back to London! I’m thrilled to be delivering the talk alongside four great brains. If you’ll be there, come say hi or connect via one of my social channels!

Interested in getting blog posts, tips, and some silly social media geekery periodically delivered in your Facebook newsfeed? Like my Facebook page (or ) Or for more regular sharing of nonprofit marketing information, follow me on Twitter

 

*Top photo credit to nypress.com

Posted on by Colleen Dilenschneider in Community Engagement, Financial Solvency, IMPACTS Data, Myth Busting, Nonprofit Marketing 1 Comment

A Cure For Point of Reference Sensitivity: Why Visitor Satisfaction For Your Nonprofit Is Lower Than It Could Be

opinion_of_our_productIMPACTS data indicate that visitors to zoos, aquariums and museums (and other visitor-serving organizations such as historical sites, theaters, symphonies, etc.) who have never previously visited any other like organization rate their experiences 18.1% higher in terms of overall satisfaction and 14.8% higher in terms of value for cost of admission than visitors who had previously visited any other zoo, aquarium, museum, etc. Further, as the number and frequency of one’s visits increases, a visitor’s level of satisfaction and perceived cost for value of admission tends to decrease.

This is just fine if your art museum (for instance) is the first art museum that your every guest has ever visited, but it has a host of potential repercussions on your organization’s bottom line (like tackling a social mission and achieving long-term financial sustainability) if you’re the second art museum someone visits. Or third, or fourth, or fifth….

This phenomenon is known as “Point of Reference Sensitivity” and suggests that the market’s expectations are being constantly reframed by recent experiences. In short, as the market gains familiarity with an experience, it becomes increasingly harder to “impress” the market.

So, what can be done to minimize the deleterious effects of Point of Reference Sensitivity? [I will henceforth refer to Point of Reference Sensitivity as “PoRS” because a) that’s just the kind of relationship that we’ve developed and b) it sounds a bit like a disease, which may be appropriate.] PoRS is an important consideration for visitor-serving organizations with regard to key performance indicators, and not even the very best visitor-serving organizations in the world are immune to its negative effects. The commonality of PoRS, however, does not mean that it is unimportant to your own organization’s reputational performance. Just because many other organizations suffer from PoRS doesn’t “even the playing field.” The market – not other organizations – are the ultimate arbiters of your organization’s success…and data suggest that despite your best efforts (great exhibits, well-trained staff, thoughtful access programs), you are still likely to experience a decline in satisfaction over time from a sizable portion of your audience simply because folks visited other organizations before they walked in your door.

The good news is that strategic prioritization and effective PR/communications practices may provide both prophylaxis and remedy against even the most stubborn case of PoRS.

What causes PoRS in visitors?

Qualitative research related to these findings suggest that PoRS may be due, in part, to a “been there, done that” mentality that tends to accompany repeat visitation to “like” organizations. The research suggests that this sentiment stems from a perceptual belief that “like” organizations (think of one zoo compared to another zoo, or one art museum compared to another art museum) share an elemental “sameness” that challenges the market’s ability to differentiate the unique attributes of individual organizations. Further exacerbating PoRS is the premium that we tend to psychologically ascribe to “firsts” – first love, first car, first baseball game, first kiss. When someone first visits a zoo, it may be the first time that they have ever seen live animals up close, but upon visiting a second zoo, there is a loss of “newness of experience.” There may be other factors that contribute to PoRS: Perhaps the first zoo visited is in an individual’s hometown and is a point of civic pride. Perhaps the newness of the experience is matched with a memory of sharing the experience with a favorite friend or family member, thus creating a unique, personal remembrance that is difficult to duplicate and impossible to top.

How is PoRS hurting your organization?

Reputation is a leading driver of visitation, and reviews from trusted resources (such as word of mouth recommendations from friends, peer review sites like Yelp or TripAdvisor, and even social media) are the strongest contributing factors to building your reputation (12.85x greater than any paid advertising channel). Aside from the more obvious impacts of lower guest satisfaction metrics and potential declines in the likelihood of repeat visitation, PoRS may also affect your organization’s word of mouth value. This may result in securing fewer visitors, fewer opportunities to cultivate donors with affinity for your organization, and fewer evangelists to amplify and promulgate your organization’s mission.

How can your organization overcome PoRS?

Data based on visitor feedback suggest that the solution may be very simple in theory: Be more unique. One way to do this is to utilize social media and other communication resources to underscore what differentiates your organization as a unique experience. Focusing more on your mission – as opposed to your existence as a “destination” – may help. An emphasis on mission-related content may allow your organization to increase its relevance beyond being a visitor-serving destination on real-time, online platforms by more actively defining the public perception of your museum. If your organization can cultivate a reputation as “more than just a visitor-serving organization” prior to a guest’s arrival, then your organization may also improve its satisfaction-related metrics.

It seems that our mothers were onto something – “You’re judged by the company that you keep.” PoRS is particularly insidious amongst the perceptual middle ranks of visitor-serving organizations – those places that are so “destination-focused” in their communications that they end up positioning themselves as “just another museum” (or zoo, or aquarium, or botanical garden, etc.) The overcome may be in elevating your organization from the sameness of a sector by differentiating not only your experience, but by the means by which you achieve your mission (the impacts that you have and the differences that you make).

As stakeholders for visitor-serving organizations, we tend to believe that the entities that we serve (or support, or visit) are unique and superlative.  Our challenge – and, indeed, our opportunity – is to similarly articulate these differences to our visitors so that they, too, consider us as more than a place. What makes your organization unique is probably not the artifacts that you house, the collections that you keep, or the building within which you keep them. What makes you unique is the outcomes that you achieve by fulfilling your mission… and communicating these outcomes is the best defense against a nasty case of PoRS.

 

Interested in getting blog posts, tips, and some silly social media geekery periodically delivered in your Facebook newsfeed? Like my Facebook page. Or for more regular sharing of nonprofit marketing information, follow me on Twitter!

Posted on by Colleen Dilenschneider in Community Engagement, Financial Solvency, IMPACTS Data, Sector Evolution, Trends 3 Comments

A Hint for the Future of Museums: Europe is Looking to US Aquariums

In my line of work (developing predictive data) and my spot in that line (analyzing and applying data on behalf of organizations equally concerned with social and fiscal bottom lines), opportunity often comes from keeping a pulse on the market. Along these lines, I’ve recently experienced shifts in my professional world that may be illustrative of the future of museums and the broader nonprofit community.

"7 hours and 57 minutes until I am officially based out of Chicago AND London! Let's do this!"

“7 hours, 57 minutes until I’m officially based out of Chicago AND London! Let’s do this!” (4/1/13)

In April, I officially joined the ranks of part-time expatriates (and long-haul commuters) when IMPACTS asked me to help open our London office while also maintaining a “home base” in Chicago.  Preparations for our London office enabled me to hire a Digital Marketing Manager to provide additional support to our projects, and also challenged me to be more thoughtful about how I could focus my efforts to best serve our clients.  A few months removed from my hop across the pond, I’ve been reliably asked two questions from colleagues, other museum professionals and even friends and family – the answers to which are closely related and may provide interesting insight to the museum industry:

1) Why London?

The obvious answer: proximity. I am in London largely because it is an accessible base for much of the work that IMPACTS is currently performing on behalf of visitor-serving organizations (e.g. museums) throughout the Americas, Europe and the Middle East.

The more interesting answer: market demand in Europe for the American nonprofit business model. You read that right! Any quick glance at the news tells stories of shifting economies that have created an unprecedented struggle for many of Europe’s most treasured museums.  While not-too-long ago many of the elite European institutions might have politely sneered at the suggestion of adopting a more “American model” of doing business (especially “nonprofit business!”), these sentiments are quickly shifting.

The “American model” (as it is colloquially referred to in my dealings) is a euphemism for a visitor-serving business that doesn’t rely on government support (or grants or endowments) and, instead, is a market-driven enterprise whose success hinges on engaging a diverse, sustainable constituency.

In other words, many of the world’s greatest museums – the ones that we Americans revere and admire with a distant and mysterious “otherness” – are looking to U.S. visitor-serving organizations as sources of inspiration, innovation and know-how when it comes to reinventing their business models to best respond to their current economic conditions.

2) Why do you spend so much time working with aquariums?

It’s true. I do find myself increasingly spending more time and energy working closely with aquariums. Here’s the end-game: We have an interest in aquariums because they are often cited by our clients as best-in-class practitioners of the “American model.” (Stick with me, other-types-of-museum folks. I’ll connect the dots…)

IMPACTS works with nearly every form of visitor-serving organization from art museums and symphonies to science centers and botanical gardens, and there’s one thing that we’ve found to be generally true: The market-driven practices developed by aquariums may have the greatest impact and “usability” for exalting the entire visitor-serving industry.  While the role of aquariums as models may seem surprising to many of America’s most venerable museums, the relative esteem with which U.S. aquariums are internationally regarded evidences itself in my work on a daily basis. In fact, the European organizations (including many art museums) that I work with have less interest in the “best practices” of American art museums and, increasingly, more interest in those of American aquariums.

Here’s why.  There are two conditions that make U.S. aquariums of particular interest to the global museum and visitor-serving industry:

 

A) The U.S. aquarium business model is motivated by market demand (and not overly dependent on grants, endowments, or government funding)

This is not to say that aquariums do not seek to obtain grants or secure government appropriations – but, as a group, the chart below indicates that aquariums tend to rely least on contributed and dividend revenues when compared to other types of visitor-serving organizations:

IMPACTS Visitor Serving Organization Earned Revenue

Theoretically, if government funding were to cease on a macro-level tomorrow, aquariums (as well as select museums, theaters, science centers and other more self-reliant organizations) may have the greatest chance of keeping their doors open long-term.

Also, after evaluating a representative sample of 224 U.S.-based visitor-serving organizations, aquariums generally have the smallest endowments relative to their annual operating budgets – perhaps suggesting that aquariums must be particularly attuned to the market since they have less “cushion” in their revenue streams. We see outcomes of this market responsiveness all the time: While some museums are hiring extra grantwriters and expanding their lobbying efforts for funding, many aquariums are hiring social media and online community managers because they understand that digital engagement helps drive attendance. Of course, smart museums also realize this and are hiring these kinds of people, too – but as the chart below illustrates, the lack of a “safety net” places a particular financial imperative on aquariums to be responsive to market opportunities:

IMPACTS - Visitor Serving organization endowment backstop

 

B) Many aquariums regularly invest in active, global, social missions that extend beyond education and research

I can hear you now: “But all museums aim to change the world!” I know. This does not mean that other missions are any less important – simply that many organizations with which I work consider aquariums to be at an interesting intersection between topic expertise and “right now” relevance…particularly when it comes to prominent, controversial issues such as climate change and other environmental topics. In short, while the social missions and operations of aquariums tackle education and research (two critical items that are also common among other, select visitor-serving organizations), they also take up the battle of ocean conservation. The initiatives attendant to this addition are particularly timely, global, and live in a rather elusive “save the world” space.

It’s a seemingly at-odds and extreme combination:  Aquariums may be considered among the most “for profit” of organizations in that they rely heavily on earned revenues, but they also aim to be among the most globally impactful among organizations pursuing active, social missions.

 

I “go deep” in my work with aquariums because helping them evolve and perfect their business model to remain solvent in both fiscal and social terms provides the lessons that help other organizations achieve their similarly aspirational ideals.

I’m intentionally speaking in terms of sector generalities – not all zoos rely on government funding, not every museum lives on its endowment, and, for that matter, not all aquariums are truly bringing their A-game to the “save the ocean” effort. The organizations operating with the objectives of being both market-relevant AND “big mission-serving” (aquarium or not) may be our best models for the future of museums. They can survive on their own, and they can do it while serving a very large-scale social mission.

 

Interested in getting blog posts, tips, and some silly social media geekery periodically delivered in your Facebook newsfeed? Like my Facebook page. Or for more regular sharing of nonprofit marketing information, follow me on Twitter!

Posted on by Colleen Dilenschneider in Financial Solvency, IMPACTS Data, Myth Busting, Nonprofit Marketing, Sector Evolution, Trends 3 Comments

Time, Treasure, Talent: Priority Confusion on Nonprofit Boards Limits Success (STUDY)

Finding: Nonprofit board members grossly overestimate the importance of their own time and talent, and believe personal philanthropy to be the least of their responsibilities in the “time, treasure, talent” continuum.

time treasure talent

For nonprofit executive leaders, “Give [money], get [money], or get off [the board]” seems to have been a board development maxim since the beginning of nonprofit-time. Despite this fact, many CEOs consistently struggle to raise meaningful funds from their board members. This may be due to a convenient untruth that board members may be using as an excuse to sidestep the “give, get, or get off” maxim: The belief that time, treasure, and talent are of equal value to a nonprofit organization.

A recent study conducted by IMPACTS reveals that, among visitor-serving organizations, there is a stark perceptual delta between executive leadership and board members when assessing the primary asset that board members bring to their organizations. And perhaps unsurprisingly, this difference of opinion regarding board responsibilities is pronounced within “smaller” organizations (i.e. those serving 500,000 or fewer visitors annually).

IMPACTS (the predictive technology company for which I work) was engaged to develop intelligence and analysis concerning the efficacy of nonprofit boards of trustees.  The related research and interviews sought to improve the understanding of the optimal role of the board as it relates to the governance and operation of the contemporary, nonprofit, visitor-serving organization.

The data collection processes included quantitative intelligence gathering and qualitative interviews with both the executive leadership and members of the boards of 49 nonprofit, visitor-serving organizations (e.g. aquariums, museums, performing arts organizations and zoos).  The study sought to include a broad, representative sample of nonprofit organizations of various types, usage levels, and annual operating budgets.

 

1) Staff leadership believe that securing funds is by far the most important role of board members

 

IMPACTS staff perspective of board role

Giving/securing “treasure” for an organization is clearly identified as the most important role of a board member by CEOs and other executive leaders. Lending “talent” (think of an attorney on the board providing legal counsel) holds significantly less value according to these same leaders.

Qualitative assessments from leaders reveal that the delta between “treasure” and “talent” may be in large part due to an organization’s strong preference to buy talent with treasure (as opposed to relying on the “in-kind,” donated talent of their board members). Executive leadership tends to believe that this type of “hired,” on-demand, best-in-class talent puts the organization in a better position to succeed than does a board member who is potentially less specifically qualified and/or has less time dedicated to the organization. (Not to mention the fact that many nonprofit organizations have conflict of interest policies that limit or restrict a board member’s participation in aspects of the organization’s operation.)

 

2) With the exception of larger organizations, board members believe that lending their own talent is their key role and raising funds is the least of their responsibilities

 

IMPACTS Board perspective of board roles

An argument may be made that organizations serving greater than 500,000 annual visitors are necessarily larger operations and may reliably attract more experienced, “sophisticated” board members than smaller organizations. This type of board member may have more experience on a greater diversity of boards, and may have a better understanding of the needs of nonprofit organizations and their own role on the board.

 

Key Finding: Nonprofit board members over-emphasize the importance of their own time and talent

 

IMPACTS Board and staff perspective of board roles

Some may say that my interpretation of these assessments assumes that the nonprofit CEOs have a better perspective of what will lend success to an organization than board members themselves. I’d like to propose an alternative point of view in regard to the survey outcomes: Board members seem to believe that their biggest contribution is a thing that the organization isn’t always asking for (i.e. their respective talents), and the single thing that many organizations require most to keep their doors open is the very thing that many board members do not view as their primary responsibility (i.e. treasure). From this perspective, some organizations serving 500,000 or fewer visitors per year (or boards of any nonprofit organizations with “smaller” annual revenues) may be stuck in a cycle:

Nonprofit board members may disproportionally view their own “talent” as beneficial because they don’t perceive that the organization possesses equivalent talent on-staff. So, because the organization lacks internal capacities, its board members disproportionally value their  own (occasional, off-staff) “talent” – but in valuing their talents over their “treasure,” they limit the organization’s ability to develop more robust resources and capacities. Thus, the organization comes to depend on board “talent” largely because its board members choose not to alternatively supply the organization with sufficient “treasure.”

Does this mean that board perspectives are unimportant? Most certainly not. The experiences and connections afforded organizations by their board members are important assets. However, if they don’t positively impact the long-term solvency of an organization in a meaningful way, then these connections may not be worth as much as “status board” members seem to believe them to be. Connections, networks and experiences are all latent benefits that may be made manifest in terms of an organization’s financial health. Unlike these potential latent benefits that board members lend to an organization, donations provide direct benefit.  Ultimately, organizations quantify financial health in numbers – and numbers don’t lie.

 

In Their Own Words:

“I think that it takes all three (i.e. ‘time, talent, and treasure’) to be a great board member. Arguably the greatest talent of all is realizing that your time is less valuable than your treasure.”- Chief Executive Officer, attendance = 500,000 – 1 million 

“A particular challenge for many of our new board members is the time that it takes for them to understand that we didn’t ask them on the board because of their professional abilities and talents. We asked them on the board to gain access to the wealth that the practice of their professional abilities and talents has enabled.”- Vice Chairman of the Board of Trustees, attendance = 250,000 – 500,000

“I’m proud of the way that our board has evolved. It now understands it has an absolute and significant giving imperative. With all due respect to our board members’ abilities and talents, if you don’t give in a meaningful fashion, then you are short for our world.”- Chief Executive Officer, attendance = >1 million

“It drives me crazy that we still have board members who think that their job is to critique staff decisions, plan galas, and stuff envelopes. As a donor, it is embarrassing that the outside world considers these people to be my peers.” – Member, Board of Trustees, attendance = 100,000 – 250,000

“The best thing about leading a large organization was saying goodbye to the ‘bake sale boards’ of my past where every financial crisis was met with a social-status-elevating fundraiser that never netted any real funds but was deemed a success if it got the chairwomen mentioned in ‘Town & Country.’”- Chief Executive Officer, attendance = >1 million

“As a board member, you have two obligations: Number One is your fiduciary obligation to the organization. Number Two is your financial obligation to the organization. The entire ‘time, talent, and treasure’ discussion is bunk – a board member’s duty is to ensure that the organization is able to buy the time of those resources possessing the most talent.” Chief Executive Officer, attendance = 250,000 – 500,000

“Honestly, our board is a joke. They want to derive every social benefit and milk every professional network that comes from being on our board, but they don’t think that they should pay for the privilege. We’ve let ourselves become a status symbol…the worst sort of trophy wife. What I would do to fire the whole lot of them and start over!” Chief Executive Officer, attendance = 500,000 – 1 million

“On our board, it is both implicitly and explicitly understood that you pay for the privilege of your vote. There is no representation without taxation. If you don’t like our arrangement, then, frankly, we’d prefer that you not serve on our board.” – Chief Executive Officer, attendance= >1 million

“Over the years, I’ve been asked to speak to other boards about how they, too, can increase their respective board giving capacities. Invariably, they cite an inability to ‘attract heavy hitters’ to their boards. I ask them to survey the room – the so-called ‘heavy hitters’ don’t keep company with people who don’t value personal philanthropy. No one wants to be the deep pockets on a board who subsidizes their fellow board members. So, if a board wants to raise more money, the first step that they need to embrace is significantly increasing their own personal giving in the hopes of attracting more like-minded philanthropists. The second step often involves stepping aside and allowing these philanthropists to assume your position on the board. The best board donors try to replace themselves with even better donors on a regular, ongoing basis.”- Chairman of the Board of Trustees, attendance= > 1 million

“I appreciate how invested with their time our board members are, but I’d be lying to say that I didn’t wish that they weren’t equally invested with their money. We struggle to meet the giving benchmarks of our peers. My board’s answer to EVERYTHING is ‘Let’s have a fundraiser!” or “Let’s try for this grant!” – never anything out of their own pocket. They’re in love with other peoples’ money.”- Chief Executive Officer, attendance = 250,000 – 500,000

“A sure sign of a lousy board is a bunch of ‘talented’ people on your marketing committee. That’s where organizations dump the folks whose sole currency is hot air.”- Chief Executive Officer, attendance = 100,000 – 250,000

 

Interested in getting blog posts, tips, and some silly social media geekery periodically delivered in your Facebook newsfeed? Like my Facebook page. Or for more regular sharing of nonprofit marketing information, follow me on Twitter!

Posted on by Colleen Dilenschneider in Financial Solvency, Fundraising, IMPACTS Data, Myth Busting, Sector Evolution 7 Comments

Urgent Evolution: Marketing Your Nonprofit to the Audience of Tomorrow (DATA)

IMPACTS Historic visitor substitution

There are many reasons why your visitor-serving organization should be marketing to Millennials and other emerging audiences in order to ensure its long-term relevance and solvency. However, the single most urgent reason to target these audiences is that the “historic” museum visitor market is slowly dwindling, and organizations that do not evolve their marketing strategies risk long-term survival.

At IMPACTS, we collect ongoing, nationwide (and crazy-massive) data sets of the US market, and have uncovered the demographic, psychographic and behavioral attributes that tend to suggest one’s likelihood to go to or otherwise support a visitor-serving organization (zoo, aquarium, museum, botanic garden, performing arts organization, etc.). We call folks possessing these indicators high-propensity visitors (HPVs). While individual organizations may have slightly varying HPVs, we’ve found that there are several characteristics that a vast majority of organizations’ audiences share. And we’ve found something alarming: visitor-serving organizations’ (VSOs) “historic” visitors are leaving the market at a faster rate than new HPVs are entering the market, creating a negative substitution phenomenon that does not paint a bright future (or present, for that matter) for VSOs.

In fact, for every one historic HPV that leaves the market, they are being replaced by 0.989 “new” HPVs. Sound like a small difference? These people add up! Keep up your hard work reaching your traditional audiences and – for no fault of your own – negative substitution factors would suggest that an organization currently serving one million annual visitors will attract 946,000 visitors five years from now (that is 54,000 fewer people, and a likely corresponding decline in membership and program participation). This troubling “glide path” also considers that you’ll be doing everything that you can to meet your current audience’s needs, and continue to market to them like exceptional rockstars! This data suggests that the key to long-term organizational solvency is to evolve our engagement strategies to include our emerging HPVs. This means – as an industry – evolving our target audiences.

Though we observe broad negative substitution indicators for VSOs nationwide, the specific data referenced above contemplates VSOs residing within the top 50 metro markets as determined by Nielsen (a cohort representing nearly 70% of the US population).

 

Why is this happening? Our data points to three primary reasons:

 

1)   Rich, white people are having fewer children.

(Too blunt or refreshingly direct?) For the vast majority of U.S. visitor-serving organizations, this demographic represents their historic visitor. These folks are statistically more likely to have the household income, leisure interests, educational attainment levels, and psychographic profiles that tend to suggest an increased propensity to visit a museum, zoo, aquarium, botanic garden, performing arts venue, etc.

 

2)   The United States population is growing increasingly diverse with folks that aren’t currently planning a visit to your organization.

(I’m going for “charming directness” again!) Museums and other cultural visitor-serving organizations have not yet succeeded in breaking the conceptual barrier of being top of mind destinations for non-HPVs. At IMPACTS, we see disappointingly low perceptions of zoos, aquariums, museums, and performing entities as “a place for people like me” in the minds of emerging audience members.  (We call these perceptions “attitude affinities.”) Though select organizations are successfully executing strategies to engage these emerging audiences, the large-scale wave of change that we are seeking may only occur when we can alter the overall perception of VSOs as a sector.

 

3)   Millennials are taking over the market, but VSOs are reluctant and/or slow in figuring out how to attract them.

Millennials can be a gosh-darn confusing bunch for older generations to understand. As digital natives, we simply think differently. If you feel like your organization is always trying to play catch-up to capture this audience, it’s because most VSOs are!

Millennials (born roughly 1980 to 1995) represent the single largest generation in human history (nearly 20 million kiddos larger than the Baby Boomers) and too few organizations are currently cultivating them as donors or even potential visitors. Some aren’t targeting Millennials because older generations just don’t see how they could be that important in driving business (“My kids can’t dictate how I do things!”) Well, most Millennials aren’t kids anymore, and the sheer volume of this generation means that they are already starting the lead the market. Some believe that Millennials just won’t be significant donors so they aren’t cultivating this group (despite evidence that – despite debt and student loans – this generation is incredibly confident about its financial future and may be more financially responsible than older generations). Other VSOs aren’t targeting Millennials because they simply don’t know how or don’t have the proper skillset on staff. (If that’s your thing, here are some baseline pointers for marketing to Millennials). Regardless, this is a demographic that nonprofit organizations simply cannot afford to ignore. As “historic” HPVs – who think and behave in a way that executive leaders understand – leave the market, there will be a void. In fact, this largely contributes to the negative substitution at hand.

 

In sum, visitor-serving organizations need to evolve their target audience in a big way. And they need to work together to do it soon. Data suggests that many visitor-serving organizations are already observing the challenging effects of  negative substitution (e.g. declining attendance levels).  Of course, this doesn’t mean altogether ignoring the “historic” visitor that is currently many an organizations “bread and butter”…because, indeed, these people will continue to visit (albeit in increasingly smaller numbers).

Negative substitution quantifies the urgent need to evolve, and moreover, compellingly indicates the risk of “standing still.” In order to foster a change in market perception of VSOs as welcoming and relevant, organizations will need to start adapting their engagement strategies and outreach initiatives. Perhaps you’re thinking, “Really? Another thing that I need to worry about in the midst of so much market change?” The answer is, “Yes.” Let’s start worrying. Let’s evolve.

 

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Posted on by Colleen Dilenschneider in Community Engagement, Financial Solvency, IMPACTS Data, Millennials, Myth Busting, Nonprofit Marketing, Sector Evolution, Trends Comments Off on Urgent Evolution: Marketing Your Nonprofit to the Audience of Tomorrow (DATA)

How Generation Y is Changing Museum and Nonprofit Membership Structures (DATA)

Looking for a copy of the address that I delivered at the Iowa Museum Association Conference last week? You can find it here.

Millennials (folks roughly between the ages of 18 and 33) are the largest generational segment of the U.S. population. This generation has different values and mindsets than those of the generations that preceded them – and they are far too large in number for museums and nonprofit organizations to ignore. Organizations that are not marketing to millennials are not only missing an opportunity to reach a new audience, but failing to engage the audience that will increasingly dictate their organization’s operations for the next 40 years (at least).

But it isn’t just marketing departments that have begun incorporating changes to appeal to Millennials. The changes must be incorporated into a larger community relations and nonprofit PR strategy. Because online engagement is increasingly critical for buy-in among all generations, it must be applied not only to marketing, but also to fundraising. Membership teams, in particular, will need to re-work their operations and offerings in order to sustain and grow their number of supporters. In fact, IMPACTS has already uncovered the need for museums to revise how they tell the story of membership benefits.

While conducting research on behalf of a prominent visitor serving organization (VSO) with a conservation-related mission, IMPACTS uncovered an interesting finding. We asked respondents a series of questions related to identifying what they consider to be the primary benefits of membership to the organization.  Once compiled, we found that sorting frequency of mention and strength of conviction information uncovered a telling divide between potential members above and below age 35.

Free admission was the pronounced, primary benefit of membership for both age groups. However, benefits two–through–five on the lists do not have any additional commonalities. Moreover, the type of benefits are very different.

Extant data indicate that members of Generation Y are public service motivated and appreciate a feeling of belonging and connectedness with one another and with a cause. This is consistent with the responses gathered from millennials in the data above. Instead of being interested in the more “transactional perks” of membership, this generation desires a feeling of connectedness with a broader social good.

Because members of Generation Y want different things from museum membership than generations before them, museums will need to adapt how they are selling memberships – or at least work to increase connectivity-to-a-cause vibes. Would a person considering membership to your organization feel that they are “making a positive impact” more than simply receiving “advance notice of upcoming activities?” Museums and visitor serving organizations must sell memberships by focusing more on their public services and social responsibilities than the traditional, more transactional benefits that motivated membership in the past.

Posted on by Colleen Dilenschneider in Community Engagement, Financial Solvency, Fundraising, Millennials, Sector Evolution, Trends 7 Comments

The Importance of Social Media in Driving People to Your Museum or Visitor-Serving Nonprofit (DATA)

There’s a lot of conversation about the ROI of social media and confusion about how to explain its importance to executive leaders. Need help? Here’s some data behind how social media drives attendance to visitor-serving organizations (zoos, aquariums, museums, botanic gardens, theaters, etc). The research provided here is courtesy of IMPACTS.

It’s as easy as 1-2-3 (or, rather, the transitive property in mathematics):

1. Reputation is a major motivator of intent to visit

The above data indicates the index value (i.e. the relative importance) of select factors (“utilities”) that influence the market’s decision to visit a visitor-serving organization (VSO).  The way to consider this data is that utilities with index values greater than 100.0 bear a proportionally greater “weight” in terms of how the market makes its visitation decisions.  In other words, a factor such as “schedule” with an index value of 203.5 is roughly 2x more influential in the decision-making process for a high-propensity visitor than is a factor such as cost with an index value of 100.4.

The US Composite data represents the overall US population. The High-Propensity Visitor (HPV) data shows the index value for folks who possess the demographic, psychographic and behavioral attributes that make them most likely to visit a VSO.  In other words, by collecting data about actual visitors to VSOs, it is possible to develop a “profile” of the types of people who are most likely to visit a zoo, aquarium, or museum.  In the end, every individual organization will have its own, specific list of weighted utilities that indicate the attributes of its visitors – but for the purpose of this example, the HPV utilities and index values indicated here are an average for all likely US visitors to visitor-serving organizations.

It is clear to see that for the overall US population and high-propensity visitors alike how important “reputation” is to your market’s overall decision-making process.  In fact, only “schedule” rates higher in terms of influence on your market.  (“Schedule” summarizes not just factors such as your hours of operation, but also factors such as how your offerings align with considerations such as school and work schedules.  It may sound obvious, but if your organization isn’t conveniently accessible for your audience during its preferred days and hours, then you are risking your visitation potential.) And, while special events are an important driver for the US composite market, they are less influential to the HPVs (which represent the market segment where VSOs may benefit by targeting the majority of their marketing efforts).

2. Social media drives reputation

So we know that reputation is a major driver of visitation. But, what, mathematically, comprises your reputation? The answer is a little bit paid media (e.g. advertising) and a lot bit of reviews from trusted sources (particularly word of mouth and earned media – both of which are often facilitated or made entirely possible by social media). In fact, reviews from trusted resources are 12.85 times more influential in terms of your organization’s reputation than is the advertising that comes out of your budget.

3. Thus, social media is a driver of visitation

Social media and online engagement positively contribute to your bottom line by enhancing your reputation, which is a significant driver of visitation.  Critically, it is almost impossible for an organization to quickly and efficiently overcome negative reputation perceptions.  So, not only do social media and other forms of online engagement help boost your bottom line, they are also wonderful risk mitigation tools that keep you connected to your audience.

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Posted on by Colleen Dilenschneider in Community Engagement, Digital Connectivity, Financial Solvency, IMPACTS Data, Myth Busting, Nonprofit Marketing, Sector Evolution, Trends 4 Comments

Why Offering Discounts Through Social Media Is Bad Business for Nonprofit Organizations

There’s significant data compiled by multiple sources indicating that “getting discounts” is the top reason why people engage with an organization’s social media channels. So it seems logical that if you want to bump your number of fans and followers, offering discounts is a surefire way to go. And it works – if your sole measure of success is chasing these types of (perhaps less meaningful) metrics. But, before you go crazy with the discount offers on Facebook and Twitter just to get your “likes” up, here’s another thing that’s true: Offering discounts through social media channels cultivates a “market addiction” that will have long-term, negative consequences on the health of your organization.

I recently wrote a post called “Death by Curation” within which I shared data indicating the non-sustainable cycle that museums enter when they must rely on new, progressively more expensive “special” exhibits in the hopes of achieving attendance spikes (what has since been referred to by a reader of this blog as “Blockbuster Suicide”). In many ways, offering discounts creates a similarly vicious cycle whereby a visitor-serving organization finds itself realizing a diminishing return on the value of its visitation.

When an organization provides discounts through social media it trains their online audience to do two not-so-awesome things:

 

1) Your community expects more discounts

Here’s where your organization breeds an online audience of addicts accepting discounts…and, strangely enough, becomes addicted to offering discounts itself. Posting a discount to attract more likes on Facebook (or to get people to engage with a social media competition, etc.) will very likely result in a bump in likes and engagement. But know that in doing this, you are verifying that your social media channel is a source for discounts. Discounting for “likes” attracts low-level engagers (they are liking you for your discount, not your mission), and prevailing wisdoms increasingly suggest that your number of social media followers doesn’t matter. It is far better for your brand and bottom line to have 100 fans who share and interact with your content to create a meaningful relationship, than to have 1,000 fans who never share your message and liked you just for the discount.

I can hear the rumbling now: Some of you are thinking, “But we’ve used discounts to attract more likes and it worked” (i.e. it generated more likes). Over time, however, these low-level engagers will stop following you if you do not continue to offer discounts. That is, after all, the reason why they followed you in the first place…and you have shown them that, yes, you will post discounts on social media. This is the start of the addiction: In order to keep these likes, you need to offer more discounts.

Try this: Simply stop offering discounts. Over the course of a few months, your number of likes will go down (because these people only liked you for the discount, not your awesome, socially conscious content). They were not actual evangelists – and cultivating real evangelists to build a strong online community is the whole point of social media. You want folks who actually care about what you’re doing and will amplify your message (not the “we are offering a discount” message – which is the content that, unfortunately, frequently gets the most shares and perpetuates this cycle).

 

2) Perhaps more importantly, your community waits for discounts

Here’s where becoming an addict takes a toll on the organization’s health. Data indicates that offering coupons on social media channels – even once – causes people to postpone their visits or wait until you offer another discount before visiting you again. Worse yet, the new discount generally needs to be perceived as a “better” offer (i.e. an even greater discount) to motivate a new visit. This observation is consistent with many aspects of discount pricing psychology, whereby a stable discount is perceptually worth “less” over time. In other words, the 20% discount that motivated your market to visit last month will likely have a diminishing impact when re-deployed. Next time, to achieve the same outcome, your organization may have to offer a 35% discount…and then a 50% discount, etc. You see where I’m going with this…

Here is the debunking of another popular misnomer that some organization’s use to justify their discount tactics: You are not necessarily capturing new visitation with discounts. In fact, data from the company for which I work suggests that the folks using your discount were likely to visit anyway…and pay full price! This is a classic example of an ill-advised discounting strategy “leaving money on the table.”

To compound matters, instead of hastening the re-visitation cycle, the “waiting for a discount” phenomena may actually increase the interval between visits for many visitors. The average museum-going person visits a zoo, aquarium, or museum once every 19 months. If you offer a discount, while you may not attract a larger volume of visitation to your organization, you may accelerate your audience’s re-visitation cycle on a one-time basis. This sounds great…until you realize the significant downsides to this happening: Your audience just visited your organization without paying the full price that they were actually willing to pay and they likely won’t visit your organization again for (on average) another 19 months. On top of all this, IMPACTS data illustrates that the steeper the discount, the less likely visitors are to value your product and return in a shorter time period.

Think of it this way: A visitor coming to your museum in May 2012 would likely visit again in December 2013 (i.e. in 19 months). Let’s say that you offer them a discount that motivates them to visit in October 2013. Now, you’ve linked their intentions to visit to a discount offer…and decoupled it from what should be their primary motivation – your content! And, by doing so, you’ve created an environment where content as a motivator has become secondary to “the deal.” In other words, you will have moved your market from a 19-month visitation cycle to a visitation cycle dependent on an ever-increasing discount. Can your organization afford to keep motivating visitation in this way?

So, how do museums get addicted to discounts, too? Well, we sometimes confuse the response (i.e. a visit) to the stimuli (i.e. a discount) with efficacy. Once a discount has been offered to motivate a visit, we regularly witness the market “holding out” for another discount before visiting again. And what are museums doing while the market waits for this new discount? Sadly, often times the answer is that they are panicking.

If you run a museum, you’ve probably spent some time in this uncomfortable space – we observe the market’s behavior (or, in this case, their lack of behavior), and begin to get anxious because attendance numbers are down. What’s a quick fix to ease the pain of low visitation? Another discount! So we offer this discount…and, in the process, reward the market for holding out for the discount to begin with. This is the insidious thing about many discounting strategies: They actually train your audience to withhold their regular engagement, and then reward them for their constraint. We feed their addiction and, in turn, we become addicted ourselves to the short-term remedy that is “an offer they can’t refuse.”

Like most addictive – but ultimately deleterious – items, there is no denying that discounts “work” – provided that your sole measure of the effectiveness of a discount is its ability to generate a short-term spike in visitation. But, once the intoxicating high of a crowded gallery has passed, very often all that we’re left with is a nasty hangover. My advice to museums and nonprofit organizations contemplating a broad discount strategy on social media: Just say no!

 

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Posted on by Colleen Dilenschneider in Community Engagement, Digital Connectivity, Financial Solvency, IMPACTS Data, Myth Busting, Nonprofit Marketing, Trends 6 Comments

Death by Curation: Why the Special Exhibit Isn’t So Special Anymore (CASE STUDY)

Museums often develop a cycle wherein they rely heavily on visitation from special exhibits – rather than their permanent collections – in order to meet their basic, annual goals. This is a case of “death by curation” – bringing in bigger and bigger exhibits in order to keep the lights on. Museums often fail to recognize that the best part of the museum experience, according to visitors and substantial data, is who folks visit and interact with instead of what they see. Understanding that a museum visit is more about people than it is about objects can help museums break the vicious cycle of “death by curation,” and help them develop more sustainable business practices.

 

The Myth of the Special Exhibit Strategy

It’s no secret that a true blockbuster exhibit can boost a museum’s attendance to record levels. However, a “blockbuster” is rare, and the fact that these blockbusters spike attendance so dramatically is an important finding: Blockbusters are anomalies – NOT the basis of a sustainable plan.

We know the story well: a museum decides to host an exhibit and develops exhibit-related messaging to promote visitation to the exhibit. The museum sees a spike in attendance, which dips when the exhibit closes. The museum wants to hit these high numbers again so it hosts a “bigger” exhibit and hopes for the same visitation spike.

This is the beginning of a costly, ineffective cycle. Here are two misbeliefs that perpetuate this less-than-sustainable practice:

1. The museum comes to believe that it cannot motivate visitation without rotating increasingly “blockbuster” exhibits. And, by doing this, museums train their audiences only to visit when there is a new exhibit. Thus, they risk curating themselves into unsustainable business practices.

2. If the museum is successful with this strategy of rotating blockbuster exhibits, then the exhibits grow grander (it’s hard to keep improving on a “blockbuster” – have you ever known a sequel to cost less than the original?), and the attendant costs grow at unsustainable rates…but become conceptually necessary for the museum to keep their lights on.

What of the hopeful thought that visitors to blockbuster exhibits will become regular museum-goers? It is largely a myth. An IMPACTS study of five art museums – each hosting a “blockbuster” exhibit between years 2007-2010, found that only 21.8% of visitors to the exhibit saw the “majority or entirety” of the museum experience. And, of those persons visiting the sampled art museums during the same time period, 50.5% indicated experiencing “only” the special exhibition. This data indicates that these special exhibit visitors are not seeing your permanent collections and, thus, are missing an opportunity to connect with your museum and become true evangelists.

Even members, whom museums often assume are more connected to their permanent collections than the general public, have been trained to respond almost exclusively to “blockbuster” stimuli. To wit: The National Awareness, Attitudes and Usage Study recently completed in April 2011 indicates that of lapsed museum members with an intent to renew their memberships, 88.6% state that they will renew their memberships “when they next visit.” Of these same lapsed members, 62.5% indicate that they will defer their next visit “until there is a new exhibit.” In other words, museums have trained even their closest constituents to wait for these expensive exhibits in order to justify their return visit.

 

Case Study

I like to think of this as a sort of “Pavlov for the museum world” – except instead of inspiring behavior with a bell, we’ve decided to provide Monet, Mondrian and Picasso as stimuli. This is all perhaps well and good…but it isn’t sustainable.

Consider the 20-year attendance history of a museum client of IMPACTS (the company for which I work). Can you spot the “blockbuster” year?

In this example (which I selected because it is representative of the experience of many museums), the “blockbuster” exhibit of year 2004 resulted in a 47.6% spike in visitation. But, what is perhaps most telling is how quickly – post-blockbuster – the client’s annual visitation returned to its average level. Does this suggest that the client shouldn’t pursue another blockbuster? Well, they did. But, not with the expected results.

Let’s consider the same chart again – this time with the special exhibits costs by year also indicated:

Still drunk with success from their blockbuster exhibit in year 2004, this museum went to the “tried” (but, not necessarily, “true”) blockbuster formula in year 2009. As you can see, in terms of visitation, history decidedly did NOT repeat itself. This where it becomes additionally important to acknowledge that “expensive does not a blockbuster make.”(See the domestic box office receipts of “John Carter” for recent proof).

Another fun fact that will surprise absolutely no one in the museum world – audiences are fickle! Their preferences shift quickly and they become increasingly hard to please. In fact, first-time-ever museum visitors rate their overall satisfaction 19.1% higher than persons who have previously visited any other museum. In my business, we call this “point of reference sensitivity” – the market’s expectations, perceptions and tolerances are constantly shifting and being re-framed by its experiences. Think about it yourself: The FIRST kiss goodnight – a forever memory! The hundredth kiss goodnight – (still sweet, but) been there, done that.

 

Break the Cycle: Invest in People and Interactions

Knowing that who a visitor comes with is the best part of visiting a museum provides power for museums to break this cycle.

Instead of relying on the rotation of expensive exhibits, many successful museums instead invest in their frontline people and provide them with the tools to facilitate interactions that dramatically improve the visitor experience. Improving the visitor experience increases positive word of mouth that, in turn, brings more people through the door. Importantly, reviews from trusted resources (e.g. WOM) tend to not only inspire visitation, they also have the positive benefit of decreasing the amount of time between visits. In other words, people who have a better experience are more likely to come back again sooner.

The power of with > what has other positive financial implications for museums. If the institution focuses on increasing the overall experience (which, again, is a motivator in and of itself – as opposed to the “one-off effect” of gaining a single visit with a new exhibit), then the museum’s value-for-cost perception increases. In other words, it allows the museum to charge more money for admission without alienating audiences because these audiences are willing to pay a premium for a positive experience.

(For you mission-driven folks shaking your head about how this potentially excludes underserved audiences, this is where your accessibility programs will shine. It allows them to be more effective and increases their perceptual value as well.)

This isn’t to say that new content and engaging exhibits are not critical to a museum’s success. It is to say, though, that times are changing. To sustain both in terms of economics and relevance, museums must evolve from organizations that are mostly about “us” (what we have is special and you’re lucky to see it), to organizations that are primarily concerned about “them” – the visitors.

Like it or not, the market is the ultimate arbiter of a museum’s success. Those of us with academic pedigree, years of experience, and technical expertise may well be in a position to declare “importance,” but it is the market that reserves the absolute right to determine relevance. In other words, while curators still largely design the ballots, it is the general public who cast the votes. And, in the race to sustain a relationship with the museum-going public, the returns are in and the special exhibit isn’t so special anymore.

Posted on by Colleen Dilenschneider in Community Engagement, Financial Solvency, IMPACTS Data, Myth Busting, Nonprofit Marketing, Sector Evolution, Trends 11 Comments
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